Wednesday, February 14, 2018

Avalanche: Review

Avalanche (1944) by Kay Boyle is an espionage story with romantic overtones set in France during the German occupation. It follows Fenton Ravel, a French-American young woman who has returned to France from America. She is in search of answers about the disappearance of Bastineau, a man she grew up with and whom she grew to love. It is said that Bastineau died in an avalanche, along with two men he was guiding in the French Alps, but Fenton refuses to believe that he is dead. As she makes her way to the mountains where she grew up, she doesn't realize that there is someone else on the darkened train who also searches for Bastineau and the secrets his disappearance hides. 

The locals are suspicious of her, in part because she is viewed as having abandoned France (for America) when war was rumbling on the horizon. Now that she's back, she is seen in the company men suspected of being spies and the villagers are fearful that the secret work of the resistance will be revealed--either deliberately or inadvertently by her return.Will she be able to help the man she loves...or will she unknowingly lead the enemy to him?


********Spoilers Ahead*************

This is an average romance and an average spy story. Fenton is, unfortunately, a fairly stupid heroine. It takes her an inordinately long time to spot the bad guy of the piece (despite Boyle using near-neon signposts pointing to him) and still manages to lead him to the truth about Bastineau and the resistance movement that he's still working with (yes, he's alive). Fortunately for her, our hero arrives in the nick of time to save her from the German spy. And they get married (monsieur le curĂ© just happens to pop in at the right moment) and they go happily off into the sunset to fight for the resistance together. 

The best parts of this one include the opening scenes when Fenton is on the dark train with two other travelers--they sit in the dark compartment because of the black out. They are all curious about one another, but endeavor to hold a casual conversation that will not betray their curiosity. It's quite well done. Boyle also does well with her descriptions of the gray and white mountains, invoking brooding imagery that gives readers a good sense of the landscape. I think perhaps Boyle would have done better as a straight fiction writer. She doesn't quite have the flair necessary for a suspenseful spy thriller. ★★ and a half.

 


Tuesday, February 13, 2018

The Adventures of Paddy the Beaver: Review

Thornton W. Burgess used his animal tales to educate children about the ways of animals and teach life lessons. The amusing stories of various creatures of the forest make for charming tales that are so fun and interesting that the children of yesteryear may not have even noticed that they were learning a few things.

Burgess's The Adventures of Paddy the Beaver (1917) is no different. Paddy moves to the Green Woods and sets about making a home for himself. First he must build a dam and create a pond big enough to hold his lodge. All the creatures who live in the wood are curious about their new neighbor and come to watch him work. His cousin Jerry Muskrat doesn't understand his building methods and is quite sure he's doing it all wrong. But nothing bothers Paddy--not even Ol' Mr. Coyote who stalks the banks at night hoping for a tasty beaver sandwich--and soon they all find out what kind of builder Paddy is.

Burgess's story gives accurate information about how beavers build their dams and homes; what beavers like best to eat; what their habits are; and how they are related to other woodland animals. He also sprinkles the story with little morals like

...when Paddy begins work, he sticks to it until it is finished. He says that is the only way to succeed, and you know and I know that he is right.

So now he knew just what to do and the best way of doing it. You know a great many people waste time and labor doing things the wrong way, so they have to be done over again. They forget to be sure they are right, and so they go ahead until they find they are wrong, and all their work goes for nothing.

You see, Paddy was much bigger than most of the little meadow and forest people, and they didn't know what kind of a temper he might have. It is always safest to be very distrustful of strangers...So now he was perfectly willing to go right on working and let his hidden visitors watch him until they were sure that he meant them no harm.

He also teaches children about friendship. Showing them that (in the case of Sammy Jay), the best way to have a friend is to be one.

This is a lovely vintage children's book--on that I bought primarily because it's about a beaver. I collect beavers (stuffed animals, figurines, Christmas ornaments, books...) in short because my name means "beaver meadow." Burgess has a series of these books that feature various animals and I'm quite sure they would all be just as charming. ★★★★

[Finished on 2/8/18]

Monday, February 12, 2018

Enter a Murderer: Review


Alleyn and Bailey were on their knees by the prompt box. Bailey was busy with  an insufflator and the inspector seemed to be peering at the floor through a magnifying glass. Beside him, opened, was the bag they had brought him from the Yard. Nigel looked into it and saw a neat collection of objects, among which he distinguished magnifying glasses, tape, scissors, soap, a towel, an electric torch, rubber gloves, sealing wax, and a pair of handcuffs.
  "What are you doing?" asked Nigel.
  "Being a detective. Can't you see?" 

Before I begin my review of Ngaio Marsh's Enter a Murderer (1935) in earnest, I just have to express my delight in discovering this edition which has a beaver right there on the cover. I'd completely forgotten that the play which features in this mystery set in a theater was titled The Rat & the Beaver (after all, it had been over 30 years since I first checked this book out of my home town library). So, when I signed up for the Ngaio Marsh Challenge (requiring us to ready the first 12 Alleyn books) and I ordered up the novels I didn't yet own, I didn't expect to see my favorite mammal. [I collect beavers--figurines, Christmas ornaments, books about, etc. Long story which involves the fact that my first name means "beaver meadow."]

So--back to the review. Inspector Roderick Alleyn's journalist pal Nigel Bathgate is friends with Felix Gardener, leading man in the up-and-coming London play The Rat & the Beaver. Felix gives Nigel two tickets to a second week performance and, since Nigel's best girl is out of town, the journalist decides to ask Alleyn if he'd like to join him. In the play, Gardener plays the Rat who "shoots" his fellow actor Arthur Surbonadier (aka the Beaver). The gun is normally loaded with dummies--not just blanks, because the shooting takes place at close range and would still ruin Surbonadier's costume. But tonight--somebody has replaced the dummies with the real thing and Surbonadier's death scene becomes the final performance of his life.

Off-stage, Surbonadier is the nephew of the theatre owner, but even his relationship to the owner couldn't give him the part he coveted--that of the Rat. The rivalry between the two men wasn't limited to their roles, however. They were also rivals for the attentions of the leading lady, Stephanie Vaughn. So, when murder happens, it's not too surprising. But everyone in the play would have been less surprised if Surbonadier had shot Gardener--after all, he thought Gardener had stolen his part and the affections of the actress. And the disgruntled actor was more the murderous type than the well-liked Gardener.

But did Gardener load the pistol with real bullets? Or did someone else do the switch and let Gardener do their dirty work for them? That's what Alleyn will have to determine. And it soon becomes apparent that plenty of people had good reason to want Surbonadier out of the way--everyone from his rival to the props man to his own uncle to the other actress he had made advances to. But who had the nerve...and the opportunity...to make the switch and change a prop into a real murder weapon?

Marsh's second novel is as entertaining as the first. Having such a love and interest in the theater, she provides a very realistic portrayal of the quirks and foibles of the actors, actresses, and sundry supporting backstage folk. Bathgate is a bit more annoying in this one--primarily because his friend Gardener is in the hot seat. I was relieved to see that Inspector Fox plays a larger role and I look forward to future installments when he will play "Watson" to Alleyn instead of Bathgate. Alleyn is also more flippant (and, at times, bordering on ridiculous) this time out, particularly in the beginning, but his character seems to settle down towards the end. I will be interested to see how Marsh presents him in the third novel.

The plot is intricate--in that it relies on who had access to the desk where the gun and bullets were kept and who was where during the crucial time period. And Marsh ends the story in grand dramatic style most suitable to its theatrical setting.  ★★★★

[Finished on 2/7/18]


Sunday, February 11, 2018

January's Wrap-Up & P.O.M. Award

image credit

My goodness but I'm slow out of the starting gate this year. I'm behind by five reviews. And now here I am getting a slow start on tracking my reading progress and statistics. I also need to get busy on my contribution for Kerrie's Crime Fiction Pick of the Month and handing out the coveted P.O.M. Award for the best mystery. So, here we go--let's take a look at January....


Total Books Read: 12
Total Pages: 2,663

Average Rating: 3.44 stars  
Top Rating: 5 stars 
Percentage by Female Authors: 33%

Percentage by US Authors: 42%

Percentage by non-US/non-British Authors:  0%
Percentage Mystery:  50% 

Percentage Fiction: 83%
Percentage written 2000+: 42%
Percentage of Rereads: 17%
Percentage Read for Challenges: 100% {It's eas
y to have every book count for a challenge when you sign up for as many as I do.}    
Number of Challenges fulfilled so far: 2 (6%)



AND, as mentioned above,
Kerrie had us all set up for another year of Crime Fiction Favorites. What she is  looking for is our Top Mystery Read for each month. January found me with five fictional mysteries and one mystery reference book--which is pretty good considering that I was participating in two science fiction reading events. Here are the mysteries read:


The White Cottage Mystery by Margery Allingham (3.5 stars) 
A Man Lay Dead by Ngaio Marsh (3.5 stars)
The Story of Classic Crime in 100 Books by Martin Edwards (5 stars)
Red Warning by Virgil Markham (3 stars)
Act One, Scene One--Murder by A. H. Richardson (3.5 stars)
The Further Adventures of Sherlock Holmes: The Ripper Legacy by David Stuart Davies (2 stars)


Over all January was a pretty average month for mysteries. Three of the fiction offerings brought in three and a half stars and poor Sherlock only managed two stars in the Davies pastiche. Our big winner for the month was Martin Edwards's reference book which
highlights the rise and duration of the Golden Age novels, gives synopses and background for 100 of them, and name-drops scads of others. I naturally love any resource that will tell me more about my favorite genre and period--especially if it tells me about books I didn't know existed. If Martin hadn't already snagged a nonfiction P.O.M. award for his The Golden Age of Murder, we'd definitely be throwing more bouquets his way this month. 
 
But that doesn't help us with our fiction P.O.M. award. A Man Lay Dead, Marsh's debut novel, is a classic Golden Age novel featuring a country house murder. It was my first experience with Marsh and it was also the first novel I ever read with the "murder game" as part of the plot. But I realized upon this reread that while the country house setting and the murder game was good, Alleyn's character is lacking a bit here and I definitely missed Inspector Fox as his right-hand man. I'm working my way through the first 12 Alleyn novels for a challenge this year, so hopefully we'll be able to call Ngaio Marsh's name for P.O.M. honors sometime in the near future. But not this month.  

Act One, Scene One--Murder is another mystery by A. H. Richardson in a series that models itself on the Golden Age. The setting is post-WW II Britain, but it seems more at home in the years between the wars. There are big, sprawling country houses with staff  to wait on guests. There is a very proper British butler at Sir Victor Hazlitt's aunt's house. House parties and Golden Age manners and the pre-cell phone and pre-computer era. It makes for a very enjoyable read and the plot has some interesting twists and turns to keep the armchair detective guessing. I also really enjoy our trio of heroes. Their interactions and their individual sleuthing styles make for an interesting mystery. Unfortunately, I had enough quibbles with the fair play aspect that I just don't see this one as our winner either.


Which leaves us with January's Pick of the Month:






I have to admit to being thoroughly bamboozled by the plot. I thought for sure I had seen my way around one of the difficulties...only to be proved wrong. I do think the ending is a bit of a cheat, but it is still a thoroughly enjoyable light and breezy example of the early detective novel. It has just that hint of romance in it--that doesn't overpower the mystery plot. A short, quick read that was just right to kick off the new year.
 


Wednesday, February 7, 2018

The Pink Camellia: Review

The Pink Camellia (1947) by Temple Bailey is a wholesome little American romance. Cecily Merryman heads east from Arizona to take up a position as companion to the fussy Mrs. Marburg--in an effort to escape the romantic overtures from Peter Chilton. Chilton is a handsome bestselling author who models himself after the heroes of his novels. But Cecily thinks he over-dramatizes himself and knows she could never be happy with a man who takes her devotion for granted.

She looks forward to helping her new employer, but doesn't expect to find herself in the middle of a real life overwrought drama. Mrs. Marburg was once a great beauty, but since her husband's death she has become fussy, fearful, bitter, and more and more under the thumb of her secretary Mark Keating. Mrs. Marburg has pushed away most of her friends and trusted servants--at the instigation of Keating--while keeping her son Blair tied firmly to her apron strings by keeping him in line through finances. Cecily has walked into a den of suspicion and high emotion and things are made even more complicated when she falls in love with Blair--a man already spoken for by the lovely and flighty Gypsy Tyson. Blair is also drawn to the newest member of his mother's household...but a twist of fate in the form of an airplane accident may tie him to Gypsy forever. Will Cecily wind up with the man she loves--or will she have to settle for Peter (who is sure she'll miss his charms eventually)? And will Blair find a way to rescue his mother from the grasp of the deceitful secretary? 

Well...this is a wholesome little American romance, after all...so what do you think? Happily ever after for all concerned? Naturally. Fortunately, there not too much saccharine and Cecily is a fine and feisty heroine. I like the way she sticks to her principles and doesn't fall into the first available arms to hold her. She and Blair have to work their way to their happy ending.  ★★

Tuesday, February 6, 2018

Reading Event Complete: 2018 Sci-Fi Experience

(Cygnus by artist Les Edwards, used with previous permission)


I was so glad to see that Carl V over at Stainless Droppings put up a notice about his Sci-Fi Experience reading event in December-January. I wish I had seen it at the beginning of the month instead of the end--but my life has been pretty hectic and I missed it. So...I'm going to line up my SF TBR stacks so I can join Carl as well as participate in the Vintage SF read in January. I'm going to plan on reading four even though Carl puts no pressure on us to meet certain levels. 

I met my personal reading goal!


1. Search for Spock: A Star Trek Book of Exploration by Robb Pearlman (1/12/18)
2. World's Best Science Fiction: 1966 by Donald A. Wollheim & Terry Car, eds (1/9/18)
3. Partners in Wonder by Harlan Ellison [& others] (1/19/18)
4. The Best from Fantasy & Science Fiction Eighth Series edited by Anthony Boucher (1/28/18)

"Not-a-Challenge" Complete: Vintage SF Month

Vintage SF badge

From Redhead at Little Red Reviewer with the Vintage Science Fiction not-a-challenge!

Once upon a time, I wanted to read more old stuff. I wanted to know more about where science fiction had come from,  how science fiction authors reacted to what had come before them, and how science fiction reflected societal trends.  Our fiction can be a reflection of our society, don’cha know. That year, I decided I would read only Vintage Scifi during the month of January, and I arbitrarily decided anything from before 1979 would be Vintage, because that was the year I was born. Some people went with the 1979, some people went with whatever year they were born, some people went with something else. As with every bloggy thing I do, there were  no hard rules. The goal was to read something “older” and then talk about it online.
 
#VintageSciFiMonth is now a thing. It’s so big, I have a co-host, Jacob at Red Star Reviews.  He runs the @VintageSciFi_ (underscore at the end) twitter feed.

I always set a personal goal to read four books. Four books done!

1. World's Best Science Fiction: 1966 by Donald A. Wollheim & Terry Carr, eds (1/9/18)
2. Partners in Wonder by Harlan Ellison [& others] (1/19/18)
3. Search for Spock: A Star Trek Book of Exploration by Robb Pearlman (1/12/18)
4. The Best from Fantasy & Science Fiction Eight Series edited by Anthony Boucher (1/28/18)

Lament for a Lady Laird: Review

Lament for a Lady Laird (1982) by Margot Arnold is part of the continuing adventures of PennySpring, anthropologist, and Sir Toby Glendower, archaeologist. Penny has received a letter from her old friend Heather Mcdonnell inviting her to visit her at the Scottish castle she has recently inherited. It's somewhat fortuitous because Penny has been trying to figure out what she will do with her summer vacation time--but she also wonders what she might be getting herself into as she picks up a strange sense of urgency from Heather when she calls to discuss the visit.

Upon arrival at Soruba House, she discovers that either Heather's new home is well and truly haunted or someone is determined to scare the new Lady Laird away. It's hard to figure out why, though. The castle had lain empty for some time while the attorneys tracked down the "lost" heir to the Mcdonnell seat, so surely if there was anything in the castle worth getting it would have been strategic for the "ghost" to get it before the new Laird's arrival. 

Things get even more mysterious when the Laird of the neighboring land, Amy McClintock, is found dead from an apparent drowning after she fails to arrive at a dinner meant to introduce Penny to the locals. Penny feels a bit lost without her partner in detection and asks Heather to invite Sir Toby to stay as well. Now Penny, Sir Toby, and Heather's niece (recently arrived as well) must search for clues to see if the McClintock was the true target or if she discovered something dangerous about Heather's "ghost." There's little archaeology going on in this one--but there are ties to the past that will explain the crimes of the present.

Another solid ★★ entry in this series. It's not an intricate puzzle, but a nice cozy little mystery with good characterization and an interesting detective duo with a fun relationship--full of banter, almost like an old married couple. The only draw-back on the mystery side is that while the reader might suspect who's behind the murder and the "haunting" and have a vague idea about the motive there really aren't enough clues to determine the actual, real live reason. I certainly wouldn't have guessed (and didn't) that [hidden by light font to prevent spoiling--highlight to read] plutonium that went down in the water with a crashed plane was the final objective of the culprit. There weren't exactly any clues pointing to that.



The Ripper Legacy: Spoilery Review

The Further Adventures of Sherlock Holmes: The Ripper Legacy (2016) by David Stuart Davies takes place not long after Sherlock Holmes has returned from his "demise" at the Reichenbach Falls. It involves Holmes and Watson in a kidnapping case that has baffled the authorities. Young William Temple wandered away from his mother and his nanny while at Kensington Gardens. The women lose sight of him near the Round Pond and the next they see him, he is in the distance--being dragged from the park by two men. Charlotte Temple did not get a good look at the men and there has been no ransom demand, so the police have had no luck tracing the boy. Holmes himself hold out little hope to the distraught parents, but promises to do his best.

Gradually, he discovers slender clues that lead him from the Temple's upper class home to a disreputable orphanage to the dark alleyways of White Chapel. Those clues also lead him to suspect a connection with the unsolved murders of Jack the Ripper and his investigations into the child's true heritage reveals a plot meant to shake the very foundations of Britain. With Watson at his side, he must face a formidable foe hiding beneath the Tower Bridge.



*******Spoiler Territory: Read on at your own risk********

The Ripper Legacy is a bit of disappointment. While Davies does get the atmosphere of Victorian England right and has a good grasp of the Holmes/Watson relationship, he really doesn't provide much that is new in the Ripper connection--except to produce a very unoriginal motive behind the murders with a very tiny twist--and he trots out a very tired Holmes pastiche trope. And--like others who have reviewed this on Goodreads, I was not enamored with the multiple viewpoints. It's a Homes story--let Watson tell it; don't keep bouncing us around from Watson's diaries to the kidnappers to the people behind the kidnappers to Mycroft and back again.

Anyone with much knowledge of the Ripper killings has to know that Prince Eddy has featured as a possible suspect or behind-the-scenes player in the horrific murders. And I get very tired of the resuscitation of Moriarty. Seriously--it's enough suspension of disbelief to accept that Holmes survived that meeting at the Falls. To have Holmes watch Moriarty plunge into that chasm (per the canon) and then bring him back to life (in various ways by various authors) is a bit much. I honestly would have enjoyed this one more if he had done something new and interesting with the Ripper story line instead of rehashing previous theories and a much-used Holmes pastiche plot device. ★★ --for the atmosphere and Holmes/Watson dynamic.

 

Monday, February 5, 2018

February Follow the Clues Reviews







February Mount TBR Reviews






February Key Word Reviews


February Key Words = Pink, Snow, Heart, Arrow, Point, Right, Holiday, Walk, And

Please link up reviews for any books read with the February Key Word (or "tweaked" variation) here:






February Just the Facts Reviews


I really liked seeing your covers during the scavenger hunt challenges, so I'm keeping the picture style link up for reviews. 
 
 
   
   

Act One, Scene One--Murder (Review)

Act One, Scene One--Murder (2016) by A. H. Richardson is the second novel featuring Inspector Stan Burgess, actor Berry (Beresford) Brandon, and Sir Victor Hazlitt. This time the trio gets involved in murder when Berry is cast for a part in a brand new play and someone decides to to poison the leading man when the cast gathers at the playwright's country home for a party that's supposed to smooth troubled waters. [Obviously that worked well....] And there was all kinds of trouble in the water.

Judson Morgan was definitely not well-loved. Not even by his wife, Carlotta Raffael, who costars in the production. She has quickly determined that marrying Morgan was a mistake, particularly given his womanizing ways. The rest of the cast, the director, and the playwright have all had a less than harmonious relationship with the star--either during rehearsals for the play or sometime in the past. It appears that determining who didn't have a reason to murder Morgan would be a much easier question to answer. But then another murder occurs and Burgess, Brandon, and Sir Victor must decide if they have even been asking the right questions at all.

Richardson's stories have a definite Golden Age feel. The setting is post-WW II Britain, but it seems more at home in the years between the wars. There are big, sprawling country houses with staff  to wait on guests. There is a very proper British butler at Sir Victor Hazlitt's aunt's house. House parties and Golden Age manners and the pre-cell phone and pre-computer era. It makes for a very enjoyable read and the plot has some interesting twists and turns to keep the armchair detective guessing. I also really enjoy our trio of heroes. Their interactions and their individual sleuthing styles make for an interesting mystery and a ★★ and a half rating over all.


I have just a few quibbles that keep this from a full four-star rating. First: coincidence takes the action back to the area near Little Shendon (scene of our heroes' first adventure). But there's really no good reason for this other than we decided to give Mr. Symeon, the playwright, a huge old house there. We don't even make much of Sir Victor's aunt in this story--her house serves as not much more than a hotel where Sir Victor can spend the night. Lady Armstrong is such a colorful character; it's a shame that she doesn't play a more integral part (especially since we took all the trouble to have the murder take place in her neighborhood, so to speak).

Second, while Richardson does make a great effort to follow in the footsteps of the Golden Age (with much success in a number of ways), I can't say that the plot is completely fair in its cluing. It is possible to spot the culprit, but I don't think the clues really explain the motive. There are hints, yes, though tiny. But looking back, I don't (as is often the case with Christie and others) say "Oh, yes, when so-and-so said that, I should have known that X needed to get rid of Y because Z." At the end of the book, we know that X needed to get rid of Y because Inspector Burgess received a packet of information from the Yard that told him so...and he doesn't tell us until after the culprit has been hauled away and we're having our little wrap-up scene.

My last quibble is the same as with the first book. In fact I can pretty much lift the words from the previous review: "the formatting is distracting. It is formatted with double-spacing between every paragraph. Absolutely unnecessary in a novel and it breaks up the page as well as the reading flow. It's as if it was decided ahead of time that we MUST have at least 270 pages [in this book] using this particular font size and, by golly, if we've got to double-space to get there, then we will." And, again, the paragraphs are, generally speaking, very short. The combination makes the book feel choppy. It's a bit better in this second outing, but still a distraction.

**********************
Thanks to Kelsey at Book Publicity Services for arranging the delivery of this review copy. My review policy is posted on my blog, but just to reiterate....The book was offered to me for impartial review and I have received no payment of any kind. All comments in this review are entirely my own honest opinion.


Tuesday, January 30, 2018

The Best from Fantasy & Science Fiction 8th Series: Review

The Best from Fantasy & Science Fiction 8th Series (1959) edited by Anthony Boucher really isn't. The Best, that is. Or if these stories are, then I'm afraid science fiction and fantasy had a pretty off year in 1959. Stories that were supposed to be funny, weren't (Ron Goulart and "A New Lo," I'm looking at you). Stories that were supposed to be fantasy didn't seem to have any fantasy elements (Shirley Jackson and "The Omen," I'm looking at you). And it's not as if every story that didn't meet the expectation provided by the brief introductions were positively bad stories...but if you're told something's going to be humorous, you kind of expect to at least chuckle a bit even if the humor isn't your particular brand. Or you expect fantasy elements when you've been told straight up that the story before you is a "wholly delightful fantasy." So--if these stories are supposed to be the best representatives of particular styles of fantasy and science fiction, then they don't fulfill their objective. 

And, unfortunately, most of those stories that do fall under the fantasy and science fiction umbrella manage to fall a little flat as well. I expected more from authors such as Poul Anderson, C.S. Lewis, Isaac Asimov, and Brian Aldiss. The best of the bunch is a story from an author I'd never read before: "Captivity" by Zenna Henderson. This is one of several stories about "The People," an alien race whose members were forced to flee their dying planet and some of whom landed on Earth where they must try to keep their presence secret. Due to circumstances not explained in this story, those who came to Earth were separated and so there is some contact with humans as they try to find others of their kind. This particular story focuses on one young alien who is known as "the Franchers kid." He's never fit in and no one takes an interest in him until a woman whose health has prevented her from teaching full-time volunteers to work with him privately. She soon discovers his uncanny and unearthly musical abilities and eventually helps him find his people. This is a touching story that is ultimately about accepting differences and understanding that different doesn't have to mean dangerous. 

The Shirley Jackson story is actually a sweet little story about the effects of coincidence, but (as I mention above) I was disappointed when I found no elements of fantasy (or science fiction) at all. As a straight work of fiction it is particularly good, but it fails to meet the standard of the collection's purpose. Overall, one of the more disappointing SF and/or Fantasy collections I have read. ★★